Subačiūtė’s illustration practice turns toward the casual strangeness of everyday life, where quirky objects, puns, and passing cultural moments become material for image-making. Visually minded yet drawn to language, she often begins with wordplay or a phrase, allowing it to open into narrative through the drawing process.

Her work treats humour as a way of observing the world’s absurd logic, from domestic details to the theatre of popular culture. Rather than seeking grand subjects, Subačiūtė finds charge in the familiar: a joke, a misplaced object, a pop-cultural slip, a situation already halfway to fiction. The result is a playful but precise visual language, where wit, observation, and gentle absurdity meet.